ucuz ukash

Antje Budde

Contact: a.budde@utoronto.ca or schedule an appointment.AntjeBudde

Office: Rm 327, 214 College St. 3rd Floor (use St. George Entrance Doors)
Office Hours: January- April
Tuesday 10am-1pm
Thursday 2pm-5pm

Biography: Prof. Antje Budde M.A., PhD (Humboldt-University Berlin) taught previously at Humboldt-University in Berlin and the Academy for Film and Television “Konrad Wolf” (HFF) in Potsdam-Babelsberg, Germany. In 1990-1991 and 1994-1995 she conducted research and artistic projects in Beijing, China (Central Academy of Drama and National Experimental Theatre Company) followed by several short study trips to P.R. China. Prof. Budde works both in the academic and the artistic field of performance studies. Since 2005 she is cross-appointed at the University College Drama Program and the Centre for Comparative Literature at the University of Toronto.

She published her first book in 2002: Antje Budde/ Joachim Fiebach (Ed.) „Herrschaft des Symbolischen. Bewegungsformen gesellschaftlicher Theatralität in EUROPA –ASIEN – AFRIKA“, (The power/ruling of symbols. Processes of societal theatricality in Europe, Asia, Africa) Vistas Verlag, Berlin 2002. This book was followed by her recent publication: Theater und Experiment in der VR China. Kulturhistorische Bedingungen, Begriff, Geschichte, Institution und Praxis. VDM Verlag Dr. Müller. 2008. 780 p. (Theatre and Experiment in P.R. China. Socio-Cultural conditions, concept, history, institution and practice)

2012/13:
DRM362H1 F: Theatre and the World. Innovation and Experimentation
DRM431H1 F: Dramaturgy
DRM491H1 S: Topics in Drama: Queering Performance: Artaud. Fassbinder. A Feminist Investigation

2010 (special journal issue)
Ibsen intercultural: Nora’s door slamming around the globe (editor and author of a special issue of the Canadian Review of Comparative Literature/ Revue Canadienne de Littérature Comparée

2010 (Book review)
“Theatre in the Berlin Republic. German Drama since Reunification” ed. by Denise Varney, Peter Lang, Oxford, New York 2008. 335 p. for The German Quarterly

2009 (book chapter)
Disturbance East. Punks in East Berlin. Memory, Gender and Cold War in a post-1989 television documentary. In: Kathleen Starck (Ed.) When the world turned upside-down. Cultural Representations of Post-1989 Eastern Europe. Cambridge Scholars Publishing 2009

2008 (book)
Theater und Experiment in der VR China. Kulturhistorische Bedingungen, Begriff, Geschichte, Institution und Praxis. VDM Verlag Dr. Müller. 2008. 780 p.
(Theatre and Experiment in P.R. China. Socio-Cultural conditions, concept, history, institution and practice)

2008 (book chapter)
Faust’s Spectacular Travels Through China: Recent Faust Productions and their History. In: International Faust Studies. Adaptation, Reception, Translation. Edited by Lorna Fitzsimmons. London ; New York : Continuum, c2008

2008 (essay, bilingual)
Realitātes šovs – parādiet realitāt. (Latvian)/ Reality show – show reality. Theatre life media politics and the coolness of contemporary theatre in the performances of Obama, Brecht and Kondek. (English) In : teritorija. Sociālā plastika. žurnāls par têatri. 2008, 1 website

2006 (book chapter)
Bunt, gemischt, braun – Fernsehen und Unterhaltung im Dritten Reich. (Muddled, mixed, brown. Television and Entertainment in the Third Reich) In: Wolfgang Mühl-Benninghaus (Ed.): Dreimal auf Anfang. Fernsehunterhaltung in Deutschland. (Three beginnings. TV entertainment in Germany.) Berlin 2006, p.45 – 64

2005 (book chapter)
Propagandistische Satire(n) und Unterhaltung. in: Peter Hoff: Tages Arbeit – Abends Gäste. Grundzüge der DDR-Fernsehunterhaltung in den 1950er und frühen 1960er Jahren. Leipzig 2005, p.126 – 175

2003 (article)
Hamlet oder Mohammed – Das 15. Internationale Festival des Experimentellen Theaters in Cairo“ (Hamlet or Mohammed? – The 15. International Festival of Experimental Theatre in Cairo) in: „Theater der Zeit“ November 2003/11.

2002 (book chapter)
Antje Budde/ Joachim Fiebach: Einleitung: Spektakel der Macht und alternativer Lebensentwürfe. (Introduction: The spectacle of power and alternative perspectives of life. p.7-40

Der Tiananmen-Platz. Die größte Bühne der Welt. (Tiananmen Square. The largest stage of the world.) p.197 – 346

Both in:
Antje Budde/ Joachim Fiebach (Ed.) „Herrschaft des Symbolischen. Bewegungsformen gesellschaftlicher Theatralität in EUROPA –ASIEN – AFRIKA“, Berlin 2002

2001 (book chapter)
Antje Budde: Frauen-Rollen im Theater Chinas (Women’s roles in Chinese theatre) in: FrauenTheaterFrauen. edited by Barbara Engelhardt, Therese Hörnigk, Bettina Masuch („Recherchen 5“) Berlin 2001, p.222 – 235


RSS
şahin k porno
Farkli porno izle me siteleri
escort fatih escort bayan bayan escort escort