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Core, Full, and Associate Members

NOTE: Full Members may serve either as primary supervisors of Ph.D. theses or as members of thesis supervisory committees. Although in exceptional circumstances and with approval, Associate Members may serve as primary supervisors, normally they serve in the capacity of members of supervisory committees. All members, both Full and Associate, may (when agreeable) serve as supervisors of (“DRA”) Directed Reading/Theatre Research courses.

John H. Astington: European Theatre History, 1450-1700; Shakespearean Production and Staging, 1590-2000; Iconography of Theatre.

Antje Budde: [Associate Director Graduate]: Theatre and Experiment in P.R. China. Socio-Cultural conditions, Digital Dramaturgy

T. Nikki Cesare Schotzko: [Associate Director Undergraduate]: Performance Art; Experimental Music-Theatre; The Historical and Modern Avant-Garde; Intermedial Performance.

Nancy Copeland: Theatre History, 1660-1800 (English) and 1890-1970 (English and North American); Women in Theatre; History in Performance.

Xing Fan: Asian Theatre and Performance Studies.

Barry Freeman: Canadian Theatre; Ethics and Interculturalism, Drama-in-Education.

Stephen Johnson: [Director]: Performance and Popular Culture (North American/British); History and Historiography; Performance Theory; Theatre and Early Film.

Michael J. Sidnell (Emeritus): Dramatic Theory; Performance Analysis and Reception.

Paula Sperdakos : Women in Canadian Theatre; Theories of Acting.

Tamara Trojanowska: 20th-Century eastern European Drama and Theatre.

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